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Why do we take pictures?
Re-reading Framelines Issue 10 in bed this Sunday morning, I came across Shane’s Madrid spread, and his question: why do you take pictures? So, here’s my answer. I used to take pictures all the time, mostly on my iPhone. My life, my work, my kids. Over years, photography and Instagram became almost the same thing. I had a huge following and a verified account back when you couldn’t just buy the little blue tick. Photography slowly became tangled up with being noticed, my lifestyle, my holidays, my work, my family, my pretty little life. Likes, comments, approval, a sense of competition crept in. Eventually, it all got in the way. Five years ago, I left Instagram. And strangely, I stopped taking pictures too. Until my wife said, “You can’t stop taking pictures of the kids.” So I started again, quietly, just for us. Then eight months ago she gave me a Q3 for my birthday, and down the rabbit hole I went. I tell myself now that I photograph simply because I love it. And I think that’s mostly true. But there are still two voices in my head. One says, share it, submit it, let people see it. The other says, there you go again, looking for approval. Perhaps some of that is just who I became. I left home for boarding school at nine, and the need to be liked, to impress, to belong, found its way pretty deep into me. So yes, I still feel absurdly happy when an image gets selected by LFI. And yes, I want to share things here, meet people, hear what they think and learn from them. Maybe that isn’t quite the same thing as seeking validation? I just pray sometimes that this isn’t just “Instagram-lite” for me. So I try to be very mindful of that. I’d like to believe that now it’s more about finding my kind of people. A little community of like-minded folk who are generous with what they know, happy to share, teach, encourage and be encouraged. People whose photographs make you stop and look twice, and whose company you’d probably enjoy, even if you know you’ll never actually meet. That feels like something worth being part of. Anyway, that’s my Sunday morning answer to Shane’s question. P.S. Josh, why wasn’t that seagulls photograph you made with Martin Parr in your spread? I would have loved to see that one.
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