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With Alex Webb, Rebecca Norris Webb, Roger Deakins, Sheron Rupp, Billy Dinh, Amanda Fordyce, Joakim Moller, Eric Wareheim
5.0from 47 reviewsPrint edition
Physical magazine, posted out
£18.50
What's inside

Taken from Memory
Sheron Rupp revisits the rural American portraits she made decades ago, exploring memory, empathy, and the emotional roots of her documentary work.
Taken from Memory
Sheron Rupp revisits the rural American portraits she made decades ago, exploring memory, empathy, and the emotional roots of her documentary work.

Dislocations
A conversation with Alex Webb and Rebecca Norris Webb on Dislocations, grief, collaboration, and the emotional landscapes that shape their richly layered photographic work.
Dislocations
A conversation with Alex Webb and Rebecca Norris Webb on Dislocations, grief, collaboration, and the emotional landscapes that shape their richly layered photographic work.
Dislocations
Reviews
Hay algo extraño en Framelines...
Hay algo extraño en framelines. No sé exactamente en qué momento dejó de ser simplemente un canal de YouTube para convertirse en algo que, de alguna manera, se siente más cercano a una pequeña comunidad de fotógrafos que a una publicación al uso. Quizá tenga que ver con la forma en la que Shane Taylor y Josh Edgoose hablan de fotografía. No parece que estén intentando explicarte cómo hacer mejores fotos. Más bien da la sensación de que están hablando de algo que ellos mismos todavía están intentando entender. Y eso, en fotografía de calle, se agradece. Es un orgullo pertenecer a esta comunidad con tanto talento y que tan bien hace y está haciendo las cosas. Un abrazo muy fuerte, nunca dejéis esto...
Something Truly Special
This magazine is truly on another level! From the insightful interviews and stunning photography to the endless inspiration it provides, every issue is like enjoying a warm chocolate chip cookie fresh out of the oven. I’ve also become a Patreon member, and being able to participate in the monthly challenges has been a great source of motivation for me, while also giving me the opportunity to get my work out into the world beyond IG. It’s brilliant to be able to connect, create, and share with such an amazing and talented group of photographers!
A learning experience
Becoming a skilled photographer requires more than just taking lots and lots of pictures; studying the lives and work of notable photographers, both historic and contemporary, is also an important part of the process. Framelines Magazine offers readers valuable insights into street photography, covering both personal approaches and technical skills, often through interviews with notable, experienced, and talented photographers. Its attractive layout and high-quality reproductions make Framelines a highly recommended resource for beginners and seasoned photographers alike. Kudos to Shane and Josh for the great job they do producing Framelines — the magazine and the website.
Framelines is a Community
Framelines is an exceptional magazine but is so much more; it's a real community with photographers who have a range of tastes and views on street photography. For someone like me, who likes a wide variety of street images, it's the perfect magazine. The interviews and articles are educational, intriguing and inspirational. The design of the magazine is spot on for me. The community brings something else altogether. I consider myself very much a novice and I'm never sure if the work I'm producing is any good, or needs improving or if there are ways of going about things differently. Sure I can post on a well known social media platform and have friends and family tell me I'm making great images, but I don't know if it's just kind words. When submitting work to Framelines, I know the feedback will be honest, subjective and will go towards improving my work. I do have a bit of imposter syndrome when I look at my work compared to others as far as street photography is concerned; so to get positive feedback is a real boost for me because I know the feedback is genuine. Likewise, I know that feedback suggesting ways to improve will be done respectfully and will go towards bettering my work. If you embrace the assignments, it won't just improve you as a photographer, it will bring genuine pleasure; at least that's what it has done for me.
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Alex Webb is one of the most significant colour photographers of the past 50 years. Issue 10, a limited edition, features his work alongside Rebecca Norris Webb, Sheron Rupp, Billy Dinh, Roger Deakins, Amanda Fordyce, Joakim Möller, and Eric Wareheim. Plus photographs from the Framelines Community monthly assignments and articles from Shane Taylor and Josh Edgoose.
Limited edition photography magazine | 112 Pages | 290×270mm
Rebecca Norris Webb on returning to Dislocations with Alex Webb, and the grief, collaboration and emotional landscapes that shape their joint work.
Dislocations
Rebecca Norris Webb on returning to Dislocations with Alex Webb, and the grief, collaboration and emotional landscapes that shape their joint work.

Life in Four Continents
Billy Dinh reflects on travel, empathy, and the everyday magic of street photography, exploring how movement, observation, and curiosity shape his understanding of people and place.
Life in Four Continents
Billy Dinh reflects on travel, empathy, and the everyday magic of street photography, exploring how movement, observation, and curiosity shape his understanding of people and place.

Byways
A rare conversation with legendary cinematographer Roger Deakins on seeing, wandering, and the quiet black and white photographs behind his photobook ‘Byways’.
Byways
A rare conversation with legendary cinematographer Roger Deakins on seeing, wandering, and the quiet black and white photographs behind his photobook ‘Byways’.

Introducing
Joakim Möller reflects on intuition, diptychs, and embracing experimentation as he shapes a deeply personal, ever-evolving photographic language.
Introducing
Joakim Möller reflects on intuition, diptychs, and embracing experimentation as he shapes a deeply personal, ever-evolving photographic language.

Feature
Eric Wareheim discusses the punk origins of his photography, his love of Americana, and the visual energy linking his images, comedy, and cookbooks.
Feature
Eric Wareheim discusses the punk origins of his photography, his love of Americana, and the visual energy linking his images, comedy, and cookbooks.

Something to Hold On To
Amanda Fordyce opens up about loss, connection, motherhood, and the tenderness that drives her street and family photography.
Something to Hold On To
Amanda Fordyce opens up about loss, connection, motherhood, and the tenderness that drives her street and family photography.

Airshow
Josh Edgoose heads to the English Riviera Airshow, taking Martin Parr’s throwaway comment as a challenge to capture its noise, colour, and chaotic charm.
Airshow
Josh Edgoose heads to the English Riviera Airshow, taking Martin Parr’s throwaway comment as a challenge to capture its noise, colour, and chaotic charm.

Madrid in May
Shane reflects on withdrawing from Instagram, wrestling with the meaning behind sharing photos and finding beauty on long walks through the streets of Madrid.
Madrid in May
Shane reflects on withdrawing from Instagram, wrestling with the meaning behind sharing photos and finding beauty on long walks through the streets of Madrid.

Street Assignments Gallery
Featured members in this issue
Framelines 08 with Daniel Arnold, Melissa O’Shaughnessy, Robby Müller, Linda Wisdom, Tavepong Pratoomwong, Matt Peers and Melissa O'Shaughnessy
£18.50