With Harold Feinstein, Jeremy Paige, Niall McDiarmid, Holly-Marie Cato, Teresa Freitas and Niall O'Brien
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Harold Feinstein photographed Coney Island through the late 1940s and became one of the most distinctive voices in American street photography. Issue 03 features a special interview with the Harold Feinstein Trust, alongside work from Niall McDiarmid, Holly-Marie Cato, Teresa Freitas, Jeremy Paige, and Niall O'Brien. Plus Josh Edgoose's San Francisco series, Shane Taylor's Whistler on the Top Deck, and gallery work from Peter Clarkson, Dani Brown, Saoirse Sexton, Dante Sisofo, and Eldar Hamitov.
Photography magazine | 92 Pages | 290×270mm
What's inside
Feature
Bearing witness to the beauty and mystery of life. A special feature with one of the greatest unknown street photographers of the twentieth century
Feature
Bearing witness to the beauty and mystery of life. A special feature with one of the greatest unknown street photographers of the twentieth century
Photoseries by Josh Edgoose
Josh photographs San Francisco's Chinatown and is reminded of a John Carpenter movie
Photoseries by Josh Edgoose
Josh photographs San Francisco's Chinatown and is reminded of a John Carpenter movie
Photoseries by Shane Taylor
Shane photographs magic hour on the w7 bus route through North London
Photoseries by Shane Taylor
Shane photographs magic hour on the w7 bus route through North London
Featuring
Photography & Interviews with the Harold Feinstein Foundation, Niall McDiarmid, Holly Cato, Jeremy Paige, Niall O' Brien and Teresa Freitas
Featuring
Photography & Interviews with the Harold Feinstein Foundation, Niall McDiarmid, Holly Cato, Jeremy Paige, Niall O' Brien and Teresa Freitas
Gallery
Featured members in this issue
Reviews
Hay algo extraño en Framelines...
Hay algo extraño en framelines. No sé exactamente en qué momento dejó de ser simplemente un canal de YouTube para convertirse en algo que, de alguna manera, se siente más cercano a una pequeña comunidad de fotógrafos que a una publicación al uso. Quizá tenga que ver con la forma en la que Shane Taylor y Josh Edgoose hablan de fotografía. No parece que estén intentando explicarte cómo hacer mejores fotos. Más bien da la sensación de que están hablando de algo que ellos mismos todavía están intentando entender. Y eso, en fotografía de calle, se agradece. Es un orgullo pertenecer a esta comunidad con tanto talento y que tan bien hace y está haciendo las cosas. Un abrazo muy fuerte, nunca dejéis esto...
Something Truly Special
This magazine is truly on another level! From the insightful interviews and stunning photography to the endless inspiration it provides, every issue is like enjoying a warm chocolate chip cookie fresh out of the oven. I’ve also become a Patreon member, and being able to participate in the monthly challenges has been a great source of motivation for me, while also giving me the opportunity to get my work out into the world beyond IG. It’s brilliant to be able to connect, create, and share with such an amazing and talented group of photographers!
A learning experience
Becoming a skilled photographer requires more than just taking lots and lots of pictures; studying the lives and work of notable photographers, both historic and contemporary, is also an important part of the process. Framelines Magazine offers readers valuable insights into street photography, covering both personal approaches and technical skills, often through interviews with notable, experienced, and talented photographers. Its attractive layout and high-quality reproductions make Framelines a highly recommended resource for beginners and seasoned photographers alike. Kudos to Shane and Josh for the great job they do producing Framelines — the magazine and the website.
Framelines is a Community
Framelines is an exceptional magazine but is so much more; it's a real community with photographers who have a range of tastes and views on street photography. For someone like me, who likes a wide variety of street images, it's the perfect magazine. The interviews and articles are educational, intriguing and inspirational. The design of the magazine is spot on for me. The community brings something else altogether. I consider myself very much a novice and I'm never sure if the work I'm producing is any good, or needs improving or if there are ways of going about things differently. Sure I can post on a well known social media platform and have friends and family tell me I'm making great images, but I don't know if it's just kind words. When submitting work to Framelines, I know the feedback will be honest, subjective and will go towards improving my work. I do have a bit of imposter syndrome when I look at my work compared to others as far as street photography is concerned; so to get positive feedback is a real boost for me because I know the feedback is genuine. Likewise, I know that feedback suggesting ways to improve will be done respectfully and will go towards bettering my work. If you embrace the assignments, it won't just improve you as a photographer, it will bring genuine pleasure; at least that's what it has done for me.
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