With Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe
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Greg Girard documented Kowloon Walled City before it was demolished. Richard Sandler spent years on the streets of New York at their rawest. Issue 04 features both, alongside Matt Stuart, Sophie Green, Johny Pitts, and Emily Howe, with gallery work from Lee Cartledge, Alex Hutchinson, and Valentine de Villemeur. A regular photoseries from Josh Edgoose and Shane Taylor.
Photography magazine | 96 Pages | 290×270mm
What's inside
Under Vancouver
Photographs from Vancouver's 1980s underbelly in its last days as a port town at the end of the line.
Under Vancouver
Photographs from Vancouver's 1980s underbelly in its last days as a port town at the end of the line.
N.Y.C., in a Minor Key
Rediscovered work from Richard's archive of '70s and '80s New York Street Photography.
N.Y.C., in a Minor Key
Rediscovered work from Richard's archive of '70s and '80s New York Street Photography.
Industrieweg
Matt finds a strange and colourful road during the pandemic in North Holland's Beverwijk.
Industrieweg
Matt finds a strange and colourful road during the pandemic in North Holland's Beverwijk.
Photoseries by Josh & Shane
Photos from London's Parks & and its Underground
Photoseries by Josh & Shane
Photos from London's Parks & and its Underground
Gallery
Featured members in this issue
Reviews
Hay algo extraño en Framelines...
Hay algo extraño en framelines. No sé exactamente en qué momento dejó de ser simplemente un canal de YouTube para convertirse en algo que, de alguna manera, se siente más cercano a una pequeña comunidad de fotógrafos que a una publicación al uso. Quizá tenga que ver con la forma en la que Shane Taylor y Josh Edgoose hablan de fotografía. No parece que estén intentando explicarte cómo hacer mejores fotos. Más bien da la sensación de que están hablando de algo que ellos mismos todavía están intentando entender. Y eso, en fotografía de calle, se agradece. Es un orgullo pertenecer a esta comunidad con tanto talento y que tan bien hace y está haciendo las cosas. Un abrazo muy fuerte, nunca dejéis esto...
Something Truly Special
This magazine is truly on another level! From the insightful interviews and stunning photography to the endless inspiration it provides, every issue is like enjoying a warm chocolate chip cookie fresh out of the oven. I’ve also become a Patreon member, and being able to participate in the monthly challenges has been a great source of motivation for me, while also giving me the opportunity to get my work out into the world beyond IG. It’s brilliant to be able to connect, create, and share with such an amazing and talented group of photographers!
A learning experience
Becoming a skilled photographer requires more than just taking lots and lots of pictures; studying the lives and work of notable photographers, both historic and contemporary, is also an important part of the process. Framelines Magazine offers readers valuable insights into street photography, covering both personal approaches and technical skills, often through interviews with notable, experienced, and talented photographers. Its attractive layout and high-quality reproductions make Framelines a highly recommended resource for beginners and seasoned photographers alike. Kudos to Shane and Josh for the great job they do producing Framelines — the magazine and the website.
Framelines is a Community
Framelines is an exceptional magazine but is so much more; it's a real community with photographers who have a range of tastes and views on street photography. For someone like me, who likes a wide variety of street images, it's the perfect magazine. The interviews and articles are educational, intriguing and inspirational. The design of the magazine is spot on for me. The community brings something else altogether. I consider myself very much a novice and I'm never sure if the work I'm producing is any good, or needs improving or if there are ways of going about things differently. Sure I can post on a well known social media platform and have friends and family tell me I'm making great images, but I don't know if it's just kind words. When submitting work to Framelines, I know the feedback will be honest, subjective and will go towards improving my work. I do have a bit of imposter syndrome when I look at my work compared to others as far as street photography is concerned; so to get positive feedback is a real boost for me because I know the feedback is genuine. Likewise, I know that feedback suggesting ways to improve will be done respectfully and will go towards bettering my work. If you embrace the assignments, it won't just improve you as a photographer, it will bring genuine pleasure; at least that's what it has done for me.
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