From the pages of Framelines

“We are given windows into snapshots of humanity that allow us to be curious voyeurs of the world at large.”

Melissa Breyer, Framelines 01

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Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines
Framelines 04 with Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe - Framelines

Framelines 04

With Greg Girard, Matt Stuart, Richard Sandler, Sophie Green, Johny Pitts, and Emily Howe

5.0from 46 verified reviews

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Greg Girard documented Kowloon Walled City before it was demolished. Richard Sandler spent years on the streets of New York at their rawest. Issue 04 features both, alongside Matt Stuart, Sophie Green, Johny Pitts, and Emily Howe, with gallery work from Lee Cartledge, Alex Hutchinson, and Valentine de Villemeur. A regular photoseries from Josh Edgoose and Shane Taylor.

Photography magazine | 96 Pages | 290×270mm

What's inside

Inside this issue

Greg Girard, Under Vancouver

Under Vancouver

Greg Girard

Photographs from Vancouver's 1980s underbelly in its last days as a port town at the end of the line.

Under Vancouver

Greg Girard

Photographs from Vancouver's 1980s underbelly in its last days as a port town at the end of the line.

Richard Sandler, N.Y.C., in a Minor Key

N.Y.C., in a Minor Key

Richard Sandler

Rediscovered work from Richard's archive of '70s and '80s New York Street Photography.

N.Y.C., in a Minor Key

Richard Sandler

Rediscovered work from Richard's archive of '70s and '80s New York Street Photography.

Matt Stuart, Industrieweg

Industrieweg

Matt Stuart

Matt finds a strange and colourful road during the pandemic in North Holland's Beverwijk.

Industrieweg

Matt Stuart

Matt finds a strange and colourful road during the pandemic in North Holland's Beverwijk.

'Green City' & 'Madeleine Underground', Photoseries by Josh & Shane

Photoseries by Josh & Shane

'Green City' & 'Madeleine Underground'

Photos from London's Parks & and its Underground

Photoseries by Josh & Shane

'Green City' & 'Madeleine Underground'

Photos from London's Parks & and its Underground

Gallery

Featured members in this issue

VDValentine de VillemeurAHAlex HutchinsonLCLee Cartledge

Reviews

What readers say about Framelines

5.046 reviews
  • August 2026

    Something Truly Special

    This magazine is truly on another level! From the insightful interviews and stunning photography to the endless inspiration it provides, every issue is like enjoying a warm chocolate chip cookie fresh out of the oven. I’ve also become a Patreon member, and being able to participate in the monthly challenges has been a great source of motivation for me, while also giving me the opportunity to get my work out into the world beyond IG. It’s brilliant to be able to connect, create, and share with such an amazing and talented group of photographers!

    JJade· Member since 2026 Verified buyer
  • August 2026

    A learning experience

    Becoming a skilled photographer requires more than just taking lots and lots of pictures; studying the lives and work of notable photographers, both historic and contemporary, is also an important part of the process. Framelines Magazine offers readers valuable insights into street photography, covering both personal approaches and technical skills, often through interviews with notable, experienced, and talented photographers. Its attractive layout and high-quality reproductions make Framelines a highly recommended resource for beginners and seasoned photographers alike. Kudos to Shane and Josh for the great job they do producing Framelines — the magazine and the website.

    SESteven Evans· Member since 2026 Verified buyer
  • August 2026

    Framelines is a Community

    Framelines is an exceptional magazine but is so much more; it's a real community with photographers who have a range of tastes and views on street photography. For someone like me, who likes a wide variety of street images, it's the perfect magazine. The interviews and articles are educational, intriguing and inspirational. The design of the magazine is spot on for me. The community brings something else altogether. I consider myself very much a novice and I'm never sure if the work I'm producing is any good, or needs improving or if there are ways of going about things differently. Sure I can post on a well known social media platform and have friends and family tell me I'm making great images, but I don't know if it's just kind words. When submitting work to Framelines, I know the feedback will be honest, subjective and will go towards improving my work. I do have a bit of imposter syndrome when I look at my work compared to others as far as street photography is concerned; so to get positive feedback is a real boost for me because I know the feedback is genuine. Likewise, I know that feedback suggesting ways to improve will be done respectfully and will go towards bettering my work. If you embrace the assignments, it won't just improve you as a photographer, it will bring genuine pleasure; at least that's what it has done for me.

    MPMike Pearce· Member since 2026 Verified buyer
  • August 2026

    Not Just a Magazine or Website - But a Community

    Gone are the days of the 90's and before, where I'd need a magazine to learn about the world of a particular subject (thanks to the internet...) - skateboarding, snowboarding, or some subculture offshoot. Laying on your bed, crinkling the paper as you flip through, trying to find your new favorite athlete or artist, a new trick or tip, or an account of an interesting conversation. But, that's not to say we stopped yearning for this tactile and compiled issue of ideas. There is something about a carefully curated amalgamation of subculture; a outlet for new (and old) artists to be on display; and hunting for some tidbit of experience or idea or thought that has been immortalized on a page. All mushed together into a serialized piece of paper or digital content. Framelines seems to have brought back this nostalgia to me (even if I have read some issues on my iPad). And even more: it's broken the 2D renderings of its pages. It's created a community and a real life outlet for creativity through its assignments. Shane and Josh have created something great between their YouTube channel, Framelines, and the community they generated. Framelines feels like a top notch creation by people that are involved in the craft. Not just some magazine made to garner our attention - but one that follows a leading path of a collective, and often niche, interest. Regardless of where I may read a new issue, nostalgia does kick in, and I'm taken back to my bedroom as a kid, with my kid brain taking in overloads of info of a subject I'm totally engrossed in. If the nostalgia is intentional or not, or the magazine was just an approach due to street culture of zines and photo books, the driving force however is still the subject matter the creators have curated for us. They keep their eye trained through the viewfinder, and give us that snapshot of what exactly we want - content made by those that do, and doors that open to new ideas and discoveries within our craft.

    JKJosh King· Member since 2026 Verified buyer

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